馬王堆漢墓英文導遊詞怎麼寫

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　　湖南馬王堆漢墓英文導遊詞

　　From 1972 to early 1974, Chinese archaeological workers excavated three tombs of the Western Han Dynasty at Mawangdui and achieved tremendous results which attracted attention at home and abroad. The more than3,000 cultural relics and a well-preserved female corpse unearthed from the tombs are of great value in studying the politics, economy, military, affairs, culture, science and technology of the early Western Han period.

　　Mawangdui is located in the eastern outskirts of Changsha, about four kilometers from the center of the city. For centuries it was said that King Mayin of Chu of the Five Dynasties period was buried here and hence the name “Mawangdui”. Formerly there were two earthen mounds closely linked together in the shape of a horse saddle, thus it also called “Maandui”. In some historical documents it was called “Erfeimu”, and “Shuangnvfen”. It was said that Lady Tang, the mother of Liufa, Prince Din of Changsha in the early Han, and another imperial concubine, Lady Cheng, were buried here. Yet another record said that these were the tombs of Prince Liufa and his mother Lady Tang.

　　The opinions about who was buried here varied widely and the truth did not come out until the excavations began in 1792. It turned out that there were three tombs at Mawangdui. The eastern mound was known as Tomb No.1, and the western mound as Tomb No.2. The third Tomb was located to the south of Tomb No.1 and covered up by the sealing soil of the latter so there was no visible trace of its existence. The three seals unearthed from Tomb No.2 “Chancellor to the prince of Changsha”, “State the Marquis of the Dai”, and “Licang” indicate that Mawangdui was the burial ground of Licang, chancellor to the prince of Changsha Stare and Marquis of Dai in the early Western Han dynasty, and his family. The historical records give Licang’s death as occurring in the second year of the reign of Empress Dowager Liu. He occupant in Tom No.3 is believed to be his son. Unearthed form the tomb was a wooden tablet inscribed with the burial date.

　　After careful textual research this was identified as the twelfth year of the reign of the Han emperor Wen Di. The corpse in Tomb No.1 is that of Licang’s wife, whose personal name, according to an unearthed seal, was Xingzhui. A study of the stratigraphical relation of the tombs and the burial objects led to conclusion that Tomb No.1 date from about the sixth decade of the second century B.C, a little later than Tomb No.3.

　　The three Han tombs were immense. Tomb No.1 preserved very well. Tomb No.2 the coffins were mostly rotted. Most of the funeral objects were damaged and the corpse was totally decomposed because the tomb had been robbed in the past. The construction of Tomb No.3 remained that of Tomb No.1 but it was slightly smaller in size and there were only three steps at the mouth of the pit. There were three coffins in the wooden chamber but only a skeleton remained in the in the innermost coffin because the sealing was not tight enough. The funeral objects unearthed are abundant. There are paintings, books, maps, weapons, musical instrument, silk fabrics and so on. Both the innermost coffins of tombs No.1 and No.3 were covered by a T-shaped.

　　Color painting on silk. The two paintings are of similar subjects. The heavenly world, human society and the nether world are depicted. The top section portrays the sun, moon, stars, a big tree of a mythic island, celestial beings, heavenly gate guards, etc. The middle section depicts a scene of the tomb occupant offering sacrifices to gods. The bottom section represents a giant standing on the back of a pair of big mythical fish, holding up the earth. Well balanced and ingeniously composed, the paintings harmoniously interweave fairy tales with reality. The artistic skill of the paintings makes them masterpieces of ancient art. Judging from the shape, content, and the positions where the paintings were placed in the tombs, we know that they were a kind of funeral banner called “Mingjing”. These banners were used in funeral ceremonies to usher the spirit up to heaven, reflecting the superstitious thinking of the feudal rulers.

　　馬王堆漢墓女屍英文導遊詞

　　Mawangdui is located in the eastern outskirts of changsha, about 4km from downtown changsha,In the preceeding centuries, it was bured here, hence the name "mawangdui"formerly there were two eastern mounds here closely linked together.

　　From 1972 to early 1974, chinese archacological workers unearthed three tombs of the wester han dynasty here and achieved tremendous results that attracted wide attention at home and abroad.they excavated more than 3000 cultural relied and a well-preserved female corpse from the tombs.according to seals unearthed from tomb no2"chancellor to the prince to changsha","seal of the marquis of dai"

　　we know that the mawangdui was burial ground of licang , chancellor to the prince of changsha statte and mqrquis of dai in the early western han dynasty and his family.

　　according to the historical records , licang died in the secong year of the reign of Empress lu . the occupants in tomb no3 were believed to be his son. unearthed from the tomb was a wooden tablet with the burial bate, which reads"the first day of the second month in the twelfth year" after careful textual research this was indentified as the twelfth year of reign of the han emperor wen ci . the corpse in tomb no1 is that of licang ' wife, whose personal name , according to an unearthed seal, was xingzhui, a study of conclusion that "tomb no1 dates from about the 6th dacade of the 2nd century B,C

　　a little later than tomb no3 tomb no1 is the best preserved, and most of the relies showed here were excavated from this tomb.

　　now , i will introduce this thing to you one by one:

　　these are figurines 162 wooden figurines were unearthed from tomb no1 and 104 form tomb no3 , they fall into three , musicians and odd-jobservants. no doubt , they represent the numerous servants enslaved by the marquis of dai, which reveal the parasitic life of the family.

　　now , pls look at these instuments, an intact zither with 25 strings, pipes composed of 22 pierced bamboo sticks and a set of pitch pipes were found in tomb no1 , in addition , a zither , a T- stringed harp, pipes and bamboo flutes were excavated from tonb no3 . strinkingly bamboo reads were found inside . the pipes found in tomb no3 , there is a silvery point on each reed, which controls the pitch, this is the material evidence of the earliest reeds , ever used in wind instruments in the world.

　　these are wre excavated from tomb no3, there are 38 weapons altogether, including bows a crossbow, arrows , an arrow seabbard, a weapon stand , halberds, spears.etcpared with the weapon of the warring state period, the bow , the crossbow and arrows were somewhat improved so that arrows

　　could travel futher, along with the garrison map. they help us to get an idea of the military situation in chansha state.

　　we know that china is a very big agricultural state, and long long ago, when people lived in western han period , there had come into being somewhat developed cultivation and animal husbandry. look ,all these things were excavated from the tombs . the agricultural produce includes rice , wheat , barley, soybean, red peas, hemp seeds, vegetable;the animal produce includes deer , oxen, goats , sheep, pigs, bares ,chickens , fishes and even chicken eggs.

　　well. lacquer ware, so beautiful! 184 pieces of lacquer ware were unearthed from tomb no1 and 316 pieces from tomb no3, they includ tripods vases, square vases, boxes , toilet boxes, pitchers, ladles, cups, caved cup - containers, an armreat, a screen, a game tool and a dustpam , most of them r made of a wood base coated in lacquer, and some of a bamboo or hemp base, the designs, either painted in lacquer or pasted or incised with very fine strokes, were done in smooth and graceful.lines with gorgeous color, the exquisitely wrought lacquer wares indicate the highly developed state of lacquer crafts- manship and a side light on the economic situation of the early han dynasty. now, we have seen the areound parts of the first hall, pls follow me to the central past . here you can see the silk fabrics.